The HAP codecs may be selected by choosing 'Quicktime HAP Format' on an output module. Movies that are encoded with the plugin are exported into. Usage Adobe Media Encoder and Adobe PremiereĪfter installation, the encoders will be available as the 'HAP Video' format when exporting in Adobe Media Encoder or Adobe PremiereĪfter choosing the format, codec options may be chosen.ĭefault presets are supplied and are available in Adobe Media Encoder. It has been tested in Adobe CC 2019 and Adobe CC 2020.
This codec has been tested on Windows 10 and macOS Catalina. Getting itĪn installer for the exporter can be downloaded here. Please see license.txt for the licenses of this plugin and the components used to create it.
HAP is a collection of high-performance codecs optimised for playback of multiple layers of video. The homepage is also the place to check out how Hap compares to other commonly used codecs for live visuals.This is the community-supplied Hap and Hap Q exporter plugin for Adobe CC 2019 and Adobe CC 2020. To celebrate, we've updated the Hap homepage to include our new photo gallery of the various applications and frameworks that have adopted the format on both platforms. This mixing and matching of software isn't limited to a single platform and today we're extremely excited to announce that the GPU accelerated codec of choice on the Mac is now officially supported on Windows!Īs of this announcement, the Hap video codec family can now be natively used on Windows in TouchDesigner, OpenFrameworks (via ofxHapPlayer), Jitter (via jit.gl.hap), DirectShow and Unity (via RenderHeads AVProQuicktime), with support coming very soon to D3 Media Servers and the Isadora programming environment. With every new application that adds native support for the Hap suite, now counting at more than a dozen, it makes it easier to get the best performance regardless of what software is used to get a job done. One thing we've learned about artists in our time writing video performance software is that in the real world they take advantage of all kinds of tools for different projects and to create their unique visual style. The goal of Hap was to serve a broad audience with the same need to push more pixels, benefiting everyone from show designers on expensive media servers handling 2k and 4k arrays to weekend VJs now able to playback multiple HD streams off a laptop. Last year in a collaboration Tom Butterworth we had the pleasure of sharing a powerful new set of open source video codecs called Hap with the Mac real-time video community.
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